#Moviemaker renoir movie#

Delannoy, for his part, insisted that his job as a director was not to stamp a movie with his own perspective - it was simply to honor the script.Īmong film aesthetes today, auteurism is misunderstood as a kind of hero-worshipping cant, an insistence on the director as god - of course a top Delannoy couldn’t be as interesting as a secondary Renoir. This lion of the coming nouvelle vague called Delannoy “a man who is not intelligent enough to be cynical, too cunning to be sincere, and too pretentious and solemn to be straightforward,” and insisted that the worst of the movies by a film artist like Jean Renoir would always be better than Delannoy’s best. Firebrand Truffaut, in his early to mid-twenties in the early to mid-Fifties, often called upon the readers of Cahiers du Cinéma to rise up against French cinema, and he assailed Delannoy, a Palme d’Or winner for 1946’s La Symphonie Pastorale, for crafting drearily professional, impersonal films that evince nothing of their creator’s sensibility other than an interest in empty quality.

Jean Gabin plays the crabby - and a little bored - Parisian police inspector Maigret trying to capture a killer in Jean Delannoy’s 1958 hit, “Maigret Sets a Trap.” Courtesy of Kino Lorberįew critics have laid waste to an artist’s reputation as definitively as François Truffaut laid waste to the director Jean Delannoy’s.

Moviemaker renoir